![]() Making records as an electronic artist or dance music producer is very often a solo pursuit, and after the initial burst of creativity and ‘fun’, we can spend many hours ‘in a loop’ feeling frustrated, doubting ourselves, and procrastinating over the arrangement and anything that we find tedious. Productions by artists like Kaytranada and Disclosure are great examples of this. Still, it’s a helpful method which not only can improve your mixes but also works as a stylistic sound design tool that you can apply to vocals, pads, textures or anything else to add a dimension of rhythm and movement. We’ve placed it last as a recommendation because it shouldn’t take precedence over choosing the right sounds and tidying up your low-end elements – you should be doing those things anyway. Lastly, some good old-fashioned classic side-chaining may actually be all you need. Using something like a Subpac can help you to measure the interaction between the kick and bass, and also alert you to any other instruments which have rumbles that your ears can’t pick up.ģ. You should also remove any ‘flabbiness’ from both the kick and bass using the envelopes or a transient shaper to tighten up the notes and create space. It’s not uncommon in specific genres to go as high as 30/40/50hz with the kick drum to leave room for the bass. Be diligent with your EQ, being sure to make a low-cut as high as you can go on every instrument and then on every bus channel too. If you’re happy that you’ve got the best possible sounds, the next step is to tidy up what you have. However, keep in kind that offbeat basslines which are too busy or too sparse may not best suit the genre you’re making.Ģ. You can navigate this by a) not having a bassline and making the kick even heavier (common in a lot of techno productions) or b) programming/playing the bass to be in spaces where the kick isn’t. If you have a kick drum that’s got the sub-heavy, low-end characteristics of an 808, then you’re going to struggle to get a coherent, pleasant balance with almost any other kind of bass sound that plays at the same time. It might sound obvious, but choosing the right sounds to begin with is going to make your life a lot easier. ![]() Can mk3 do live sample chops how to#Find regular inspiration with frequent new additions to the Collective, to continue your musical journey.It’s a problem that’s been around virtually as long as we’ve been mixing audio: how to get that coherent, pleasant-sounding low-end with a kick and bass that ‘sit’ together nicely. Novation Sound Collective A constant source of inspiration for Novation users in search of new sounds. Klevgrand DAW Cassette A plugin that emulates the sound of a tape deck, with accurate recreation of saturation, distortion, noise and wobble.ĪAS Session Bundle Keys, guitar and synth plugins for music makers, which provide essential sounds for your tracks. Klevgrand R0Verb A hybrid between a simple reverb and a very complex delay in an easy-to-use plugin. XLN Audio Addictive Keys Access one of four virtual keyboards when you register your first piece of Focusrite or Novation hardware. Spitfire Audio LABS Expressive Strings Exceptional strings samples made by musicians and sampling experts in London, for anyone, anywhere. Get access to millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily. Serato Sample LE A powerful and intuitive sampler plugin to quickly find, chop, key-shift, and time-stretch samples. ![]() Ableton Live 10 Lite Industry-leading music creation software, with seamless operation with Launchkey. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |